Cara de quem comeu e não gostou

a gloating look | a shit-eating grin

She gave me an almost gloating look..

I don`t like that actor, he has a shit-eating grin.

Hey, come on, stir it up, wipe that shit eating grin off your face.

Tô puto!

pissed off | to be mad at someone

Essa palavrinha “piss” significa “urinar, mijar” mas também é palavrão (pissed off), usado quando você está bastante zangado.

My boss dismissed me, I`m pissed off.

Don`t piss me off, I have enough problems.

Ben was pissed off with his co-workers.

My boyfriend took his ex-girlfriend to a party on Saturday. I`m mad at him.

My wife and I hardly spend any time together, I`m mad at her.

My mom is mad at me, she asked to take the garbage out, but I didn`t.

como se diz "Gambiarra / fazer uma gambiarra" em inglês?

jerry-rig | jury rig  |  to do a MacGyver on | quick fix

Nobody wants to buy a house with jerry-rigged installations.

The jerry-rigged the lawn mower broke again.

All his electronic devices have been jury-rigged to allow him to grip and use them more easily.

The MacGyver chef at the restaurant tried to make Salmon in Cilantro sauce in his dishwasher

After searching all kinds of place I finally found them in Metro (a wholesaler) of all places.

I couldn`t find the strainer so I MacGyver'ed myself a pan with some holes.

I MacGyver'ed together my old tv set using a cardboard box, a stapler,  duct tape and a small piece of steel wool, no it is working perfectly.

NOTE

O termo “jerry-rigged” surgiu na segunda Guerra mundial. Segundo uma teoria era assim que os alemães eram conhecidos “jerries”. Os soldados americanos encontraram muitos objetos mal consertados deixados pelos alemães.

VOCABULARY- ORGANS

YOUTUBE MOMENT

The annoying orange

Hey Apple

apple ....hey

Hey Apple

Hey Apple

Hey Apple, Hey Apple, apple ....hey

What? What?, what is  it?

Hey apple

Aren´t you happy I didn´t say apple again?

Yeah, that joke was funny the first four hundred times you said it

Hey apple

What?

You look fruity

Yeah, that , that was hilarious

Hey hey apple

What?

Can you do ten push ups in ten seconds?

What kind of question is that? I don`t even have arms. How am I gonna do one push up?

Hey

What?

Hey apple

What??

Can you do this?

No

Try it

No, Stop it !

Ok you`ve made your point …stop it!

Would you please be quiet?  …” for crying out loud would you stop yammering for longer than 3 seconds ? I can´t even hear myself think…aahuu..”

Hey apple!

What?

Knife!

Euuu…eh..I warned you …ouch, that look like it hurts”…..tried to warn him.

Hey pear!

Oh god!

Bóia, gororoba grude

grub | nosh |  chow | eats | chuck | fare

aquela comida feita de maneira improvisada, com as sobras e que tem a aparência não muito boa.

stop eating that grub, let`s go to a restaurant.

Finger foods or eats that can be eaten with a toothpick are far less work for everyone.

That Cafe makes healthy fare for native Americans, the  owner's goals: to bring back local culture and help slow a health epidemic.

The grub they serve in the cafeteria is pretty good!

motel | hotel | love hotel

Muitas pessoas ainda se perguntam quando estão assistindo aos filmes por que as famílias que viajam de carro nos Estados Unidos sempre se hospedam em um “motel”, afinal o certo seria hotel, local propício a pernoitar quando estamos longe de casa, é difícil ver alguém fazendo a mesma coisa aqui no Brasil, o problema é que Motel é abreviação de “motor hotel”, ou seja, uma espécie de hotel na beira de estrada, locais dirigidos a atender viajantes que precisam pernoitar. Para dizer motel, aquele lugar onde as pessoas vão para transar prefira “Love hotel”.

Are there cheap (but not nasty) love hotels in Tokyo?

Some love hotels have multiple complex entrances designed for the discretion of customers.

I slept under that plastic sheet for many rainy days, but now he is a motel tycoon.

I have never slept in a motel bed as comfortable as this one was. I did not want to leave the shower as the spray was so relaxing, this motel is awesome.

Como se diz "bosta, cocô" em inglês?

Shit |  crap |  bullshit |  stool |  poo |  poop |  dingle berries |  feces |  faeces |  doo doo ¹

I hate it when I step in dog crap.

How do you expect to clean dog crap off your shoes if you don't wash your shoes and use the hose. Are you that lazy?

Why does baby doo doo stink worse than adult poop?

I gonna tell Josh he always stink of doo doo, he must wipe himself there properly after using the toilet.

How many errors can you see?

EXERCISE

No texto abaixo existem diversas palavras erradas, veja o video e confira se o narrado fala elas realmente, algumas tem erros de grafia, por isso é melhor ficar atento, use um dicionário para facilitar o seu trabalho.

primeiro circule a palavra que você acha que está errada e depois procure no dicionário. Esse exercício vai ajudar a melhorar seu "listening" e seu "writing"

Pâté de foie gras

“Hello, I`m Roger moore from people for the ethical treetment of animal with an important mesage about Foies Gras. Everione who have ever saw ducks and geese skimming across the lake in a graceful landing, properly knows these energetic birds are delighted to be alive. They are interesting individuals with distinct personalities who in the wild recognize and develop committed caring relationships with one other. They are meticulous clean even keeping them nest free of debris. Ducks are natural athletes who fly hundreds of miles each year and flies as fast to 16 miles per hour. But into these foie gras farms, ducks and geese are denied their every desire, they will never see a lake or a stream, never breathe fresh air or feel some of they facts and never fly at all. Here they are abused in the way it will be llegal if they are cats or dogs, and they are slaughtered when they are only 13 months old.

Foie Gras which means “fatty liver”  is an painful liver deseease that should be treated by a veterinarian, but it is instead cruelly and intentionally induced on foie gras factory farms through out the world. As revolting as it is to eat an toy diseased organ, the cruel treatment of the birds is even more disturbing.

 Ducks and geese on foie gras farms are confined to tiny crates and cages that are ofen so small that the birds can`t spread a single wing, they are packed inside duck fulfilled sheds where they live surrounded by their own wasty without access to so much to a plaid of brass, or a breath of fresh air. Imagine having pipes jammed through your throat and food pumped directly pumped into your stomach repeatedly so if you felt as it you might explode. This is what ducks and geese endure everyday solely to satisfay the demand for foie gras, through this painful forced feeding in process birds have as much as 3 pounds of food pumped into their small bodyies everydai.

In human terms that roughly 43 pounds of pasta, every single pray until they develop a disease that causes their livers to enlarge up to ten times their normal size. The pipes scrape along the inside of the terrified birds throat causing intense pain, bruising and deep cashes .when the liver which is suppose to clear the toxins of the body becomes diseased and massively enlarged, birds often become sick and unable to move, many birds tear their own feathers as result of a extreme stress. sick, diseased and unable to move under the extreme weigt of their livers. Many birds is unable to defend themselves through rats anoying on their open wounds.

Investigations in foies gras farms in the United states and Europe has always turned up in the same thing: sick, dead, and dying animals, many with holes punched through their necks. An investigation by animal protecting rescue league found one farm where ducks have their wings twisted together in titling packed cages and bloody beaks jammed into cages wires, at another farm birds were dangling by wires as blood spilled from wounds in their necks formed pools on lying birds below them. After been subjected to this constant pain and torture everybody month, ducks and geese are checkled upside down and their throats are cut. Foies gras founds are so cruel that forced feeding birds ass being banned in many countryes including the UK, Israel and Switzerland.

In 2004 Washington governor A. Scwatzengger also signed the bill which outlaw the production and sale of Foie gras in the state of California, but many restaurants continue to serve this horribly cruell product, please joint me and complicit this kind people everywhere by never eating foie gras and by telling your friends or relatives and restaurant owners that foie gras is a disease not a delicacy.”

The Necklace

Guy de Maupassant

She was one of those pretty and charming girls born, as though fate¹ had blundered² over her, into a family of artisans. She had no marriage portion³, no expectations, no means of getting known, understood, loved, and wedded (4) by a man of wealth and distinction; and she let herself be married off to a little clerk in the Ministry of Education. Her tastes were simple because she had never been able to afford (5) any other, but she was as unhappy as though she had married beneath her; for women have no caste (6) or class, their beauty, grace, and charm serving them for birth or family, their natural delicacy, their instinctive elegance, their nimbleness of wit, are their only mark of rank, and put the slum girl on a level with the highest lady in the land.

     She suffered endlessly, feeling herself born for every delicacy and luxury. She suffered from the poorness of her house, from its mean walls, worn chairs, and ugly curtains. All these things, of which other women of her class would not even have been aware, tormented and insulted her. The sight of the little Breton girl who came to do the work in her little house aroused heart-broken regrets and hopeless dreams in her mind. She imagined silent antechambers, heavy with Oriental tapestries, lit by torches in lofty bronze sockets, with two tall footmen in knee-breeches sleeping in large arm-chairs, overcome by the heavy warmth of the stove. She imagined vast saloons hung with antique silks, exquisite pieces of furniture supporting priceless ornaments, and small, charming, perfumed rooms, created just for little parties of intimate friends, men who were famous and sought after, whose homage roused every other woman's envious longings.

     When she sat down for dinner at the round table covered with a three-days-old cloth, opposite her husband, who took the cover off the soup-tureen, exclaiming delightedly: "Aha! Scotch broth! What could be better?" she imagined delicate meals, gleaming silver, tapestries peopling the walls with folk of a past age and strange birds in fairy forests; she imagined delicate food served in marvellous dishes, murmured gallantries, listened to with an inscrutable smile as one trifled with the rosy flesh of trout or  wings of asparagus chicken.

<  2  >

     She had no clothes, no jewels, nothing. And these were the only things she loved; she felt that she was made for them. She had longed so eagerly to charm, to be desired, to be wildly attractive and sought after.

  She had a rich friend, an old school friend whom she refused to visit, because she suffered so keenly when she returned home. She would weep whole days, with grief, regret, despair, and misery.

One evening her husband came home with an exultant air, holding a large envelope in his hand.

     "Here's something for you," he said.

     Swiftly she tore the paper and drew out a printed card on which were these words:

     "The Minister of Education and Madame Ramponneau request the pleasure of the company of Monsieur and Madame Loisel at the Ministry on the evening of Monday, January the 18th."

     Instead of being delighted, as her husband hoped, she flung the invitation petulantly across the table, murmuring:

     "What do you want me to do with this?"

     "Why, darling, I thought you'd be pleased. You never go out, and this is a great occasion. I had tremendous trouble to get it. Every one wants one; it's very select, and very few go to the clerks. You'll see all the really big people there."

     She looked at him out of furious eyes, and said impatiently: "And what do you suppose I am to wear at such an affair?"

     He had not thought about it; he stammered:

     "Why, the dress you go to the theatre in. It looks very nice, to me . . ."

     He stopped, stupefied and utterly at a loss when he saw that his wife was beginning to cry. Two large tears ran slowly down from the corners of her eyes towards the corners of her mouth.

at a 'loss: not knowing what to say or do

<  3  >

     "What's the matter with you? What's the matter with you?" he faltered.

     But with a violent effort she overcame her grief and replied in a calm voice, wiping her wet cheeks:

     "Nothing. Only I haven't a dress and so I can't go to this party. Give your invitation to some friend of yours whose wife will be turned out better than I shall."

     He was heart-broken.

     "Look here, Mathilde," he persisted. "What would be the cost of a suitable dress, which you could use on other occasions as well, something very simple?"

     She thought for several seconds, reckoning up prices and also wondering for how large a sum she could ask without bringing upon herself an immediate refusal and an exclamation of horror from the careful-minded clerk.

     At last she replied with some hesitation:

     "I don't know exactly, but I think I could do it on four hundred francs."

     He grew slightly pale, for this was exactly the amount he had been saving for a gun, intending to get a little shooting next summer on the plain of Nanterre with some friends who went lark-shooting there on Sundays.

     Nevertheless he said: "Very well. I'll give you four hundred francs. But try and get a really nice dress with the money."

     The day of the party drew near, and Madame Loisel seemed sad, uneasy and anxious. Her dress was ready, however. One evening her husband said to her:

     "What's the matter with you? You've been very odd for the last three days."

     "I'm utterly miserable at not having any jewels, not a single stone, to wear," she replied. "I shall look absolutely no one. I would almost rather not go to the party."

<  4  >

     "Wear flowers," he said. "They're very smart at this time of the year. For ten francs you could get two or three gorgeous roses."

     She was not convinced.

     "No . . . there's nothing so humiliating as looking poor in the middle of a lot of rich women."

     "How stupid you are!" exclaimed her husband. "Go and see Madame Forestier and ask her to lend you some jewels. You know her quite well enough for that."

     She uttered a cry of delight.

     "That's true. I never thought of it."

     Next day she went to see her friend and told her her trouble.

     Madame Forestier went to her dressing-table, took up a large box, brought it to Madame Loisel, opened it, and said:

     "Choose, my dear."

     First she saw some bracelets, then a pearl necklace, then a Venetian cross in gold and gems, of exquisite workmanship. She tried the effect of the jewels before the mirror, hesitating, unable to make up her mind to leave them, to give them up. She kept on asking:

     "Haven't you anything else?"

     "Yes. Look for yourself. I don't know what you would like best."

     Suddenly she discovered, in a black satin case, a superb diamond necklace; her heart began to beat covetously. Her hands trembled as she lifted it. She fastened it round her neck, upon her high dress, and remained in ecstasy at sight of herself.

     "Could you lend me this, just this alone?"

     "Yes, of course."

     She flung herself on her friend's breast, embraced her frenziedly, and went away with her treasure. The day of the party arrived. Madame Loisel was a success. She was the prettiest woman present, elegant, graceful, smiling, and quite above herself with happiness. All the men stared at her, inquired her name, and asked to be introduced to her. All the Under-Secretaries of State were eager to waltz with her. The Minister noticed her.

<  5  >

     She danced madly, ecstatically, drunk with pleasure, with no thought for anything, in the triumph of her beauty, in the pride of her success, in a cloud of happiness made up of this universal homage and admiration, of the desires she had aroused, of the completeness of a victory so dear to her feminine heart.

  

She left about four o'clock in the morning. Since midnight her husband had been dozing in a deserted little room, in company with three other men whose wives were having a good time. He threw over her shoulders the garments he had brought for them to go home in, modest everyday clothes, whose poverty clashed with the beauty of the ball-dress. She was conscious of this and was anxious to hurry away, so that she should not be noticed by the other women putting on their costly furs.

Loisel restrained her.

     "Wait a little. You'll catch cold in the open. I'm going to fetch a cab."

     But she did not listen to him and rapidly descended the staircase. When they were out in the street they could not find a cab; they began to look for one, shouting at the drivers whom they saw passing in the distance.

     They walked down towards the Seine, desperate and shivering. At last they found on the quay one of those old nightprowling carriages which are only to be seen in Paris after dark, as though they were ashamed of their shabbiness in the daylight.

     It brought them to their door in the Rue des Martyrs, and sadly they walked up to their own apartment. It was the end, for her. As for him, he was thinking that he must be at the office at ten.

     She took off the garments in which she had wrapped her shoulders, so as to see herself in all her glory before the mirror. But suddenly she uttered a cry. The necklace was no longer round her neck!

<  6  >

     "What's the matter with you?" asked her husband, already half undressed.

     She turned towards him in the utmost distress.

     "I . . . I . . . I've no longer got Madame Forestier's necklace. . . ."

     He started with astonishment.

     "What! . . . Impossible!"

     They searched in the folds of her dress, in the folds of the coat, in the pockets, everywhere. They could not find it.

     "Are you sure that you still had it on when you came away from the ball?" he asked.

     "Yes, I touched it in the hall at the Ministry."

     "But if you had lost it in the street, we should have heard it fall."

     "Yes. Probably we should. Did you take the number of the cab?"

     "No. You didn't notice it, did you?"

     "No."

     They stared at one another, dumbfounded. At last Loisel put on his clothes again.

     "I'll go over all the ground we walked," he said, "and see if I can't find it."

     And he went out. She remained in her evening clothes, lacking strength to get into bed, huddled on a chair, without volition or power of thought.

     Her husband returned about seven. He had found nothing.

     He went to the police station, to the newspapers, to offer a reward, to the cab companies, everywhere that a ray of hope impelled him.

     She waited all day long, in the same state of bewilderment at this fearful catastrophe.

     Loisel came home at night, his face lined and pale; he had discovered nothing.

<  7  >

     "You must write to your friend," he said, "and tell her that you've broken the clasp of her necklace and are getting it mended. That will give us time to look about us."

     She wrote at his dictation.

By the end of a week they had lost all hope.

     Loisel, who had aged five years, declared:

     "We must see about replacing the diamonds."

     Next day they took the box which had held the necklace and went to the jewellers whose name was inside. He consulted his books.

     "It was not I who sold this necklace, Madame; I must have merely supplied the clasp."

     Then they went from jeweller to jeweller, searching for another necklace like the first, consulting their memories, both ill with remorse and anguish of mind.

     In a shop at the Palais-Royal they found a string of diamonds which seemed to them exactly like the one they were looking for. It was worth forty thousand francs. They were allowed to have it for thirty-six thousand.

     They begged the jeweller not to sell it for three days. And they arranged matters on the understanding that it would be taken back for thirty-four thousand francs, if the first one were found before the end of February.

     Loisel possessed eighteen thousand francs left to him by his father. He intended to borrow the rest.

     He did borrow it, getting a thousand from one man, five hundred from another, five louis here, three louis there. He gave notes of hand, entered into ruinous agreements, did business with usurers and the whole tribe of money-lenders. He mortgaged the whole remaining years of his existence, risked his signature without even knowing if he could honour it, and, appalled at the agonising face of the future, at the black misery about to fall upon him, at the prospect of every possible physical privation and moral torture, he went to get the new necklace and put down upon the jeweller's counter thirty-six thousand francs.

<  8  >

     When Madame Loisel took back the necklace to Madame Forestier, the latter said to her in a chilly voice:

     "You ought to have brought it back sooner; I might have needed it."

     She did not, as her friend had feared, open the case. If she had noticed the substitution, what would she have thought? What would she have said? Would she not have taken her for a thief?

*Madame Loisel came to know the ghastly life of abject poverty. From the very first she played her part heroically. This fearful debt must be paid off. She would pay it. The servant was dismissed. They changed their flat; they took a garret under the roof.

 She came to know the heavy work of the house, the hateful duties of the kitchen. She washed the plates, wearing out her pink nails on the coarse pottery and the bottoms of pans. She washed the dirty linen, the shirts and dish-cloths, and hung them out to dry on a string; every morning she took the dustbin down into the street and carried up the water, stopping on each landing to get her breath. And, clad like a poor woman, she went to the fruiterer, to the grocer, to the butcher, a basket on her arm, haggling, insulted, fighting for every wretched halfpenny of her money.

     Every month notes had to be paid off, others renewed, time gained.

     Her husband worked in the evenings at putting straight a merchant's accounts, and often at night he did copying at twopence-halfpenny a page.

     And this life lasted ten years.

     At the end of ten years everything was paid off, everything, the usurer's charges and the accumulation of superimposed interest.

     Madame Loisel looked old now. She had become like all the other strong, hard, coarse women of poor households. Her hair was badly done, her skirts were awry, her hands were red. She spoke in a shrill voice,

and the water slopped all over the floor when she scrubbed it. But sometimes, when her husband was at the office, she sat down by the window and thought of that evening long ago, of the ball at which she had been so beautiful and so much admired.

<  9  >

     What would have happened if she had never lost those jewels. Who knows? Who knows? How strange life is, how fickle! How little is needed to ruin or to save!

     One Sunday, as she had gone for a walk along the Champs-Elysees to freshen herself after the labours of the week, she caught sight suddenly of a woman who was taking a child out for a walk. It was Madame Forestier, still young, still beautiful, still attractive.

     Madame Loisel was conscious of some emotion. Should she speak to her? Yes, certainly. And now that she had paid, she would tell her all. Why not?

     She went up to her.

     "Good morning, Jeanne."

     The other did not recognise her, and was surprised at being thus familiarly addressed by a poor woman.

     "But . . . Madame . . ." she stammered. "I don't know . . . you must be making a mistake."

     "No . . . I am Mathilde Loisel."

     Her friend uttered a cry.

     "Oh! . . . my poor Mathilde, how you have changed! . . ."

     "Yes, I've had some hard times since I saw you last; and many sorrows . . . and all on your account."

     "On my account! . . . How was that?"

     "You remember the diamond necklace you lent me for the ball at the Ministry?"

     "Yes. Well?"

     "Well, I lost it."

     "How could you? Why, you brought it back."

     "I brought you another one just like it. And for the last ten years we have been paying for it. You realise it wasn't easy for us; we had no money. . . . Well, it's paid for at last, and I'm glad indeed."

<  10  >

     Madame Forestier had halted.

     "You say you bought a diamond necklace to replace mine?"

     "Yes. You hadn't noticed it? They were very much alike."

     And she smiled in proud and innocent happiness.

     Madame Forestier, deeply moved, took her two hands.

     "Oh, my poor Mathilde! But mine was imitation. It was worth at the very most five hundred francs! . . . "

• Prowl: to move quietly and carefully around an area, especially when hunting:

Glossary

A

• arouse: to make sb have a particular feeling or attitude.

• afford: (usually used with can, could or be able to, especially in negative sentences or questions) to have enough money or time to be able to buy or to do sth:
  Ex: Can we afford a new car?

• ante·room  (also formal ante·cham·ber) a room where people can wait before entering a larger room, especially in an important public building.

• Affair: an object that is unusual or difficult to describe
• appal:  to shock sb very much. SYN: horrify

• ab·ject: terrible and without hope
• an·guish : (formal) severe pain, mental suffering or unhappiness

B

• blunder over:  to continue doing sth in a careless or stupid way
• Broth: thick soup made by boiling meat or fish and vegetables in water
• be·wil·der·ment : a feeling of being completely confused SYN:  confusion
• ball-dress : a large formal party with dancing

C

• Caste: the system of dividing society into classes based on differences in family origin, rank or wealth

• Coarse: (of skin or cloth) rough
• cov·et·ous (formal):  having a strong desire for the things that other people have.
• clad (in sth): dressed

• Chilly: (especially of the weather or a place, but also of people) too cold to be comfortable:
  1. It’s chilly today.  I was feeling chilly.
  2. not friendly:
  The visitors got a chilly reception.

• clash: the difference that exists between two things that are opposed to each other
   SYN  conflict

• Clasp: a device that fastens sth, such as a bag or the ends of a belt or a piece of jewellery:
  Ex: the clasp of a necklace / handbag

D

• de·light : a feeling of great pleasure
• dust·bin  (garbage can, 'trash can) : a large container with a lid, used for putting rubbish / garbage in, usually kept outside the house.
• Doze: to sleep lightly for a short time
• Dumb·found : to surprise or shock sb so much that they are unable to speak
  Ex: His reply dumbfounded me.

E

• ex·quis·ite : extremely beautiful or carefully made.
• eager  (for sth / to do sth) very interested and excited by sth that is going to happen or about sth that you want to do. SYN  keen
• envious: wanting to be in the same situation as sb else; wanting sth that sb else has.
• ex·ult·ant  (formal) feeling or showing great pride or happiness especially because of sth exciting that has happened ( SYN:  triumphant)

F

• Fate: the things, especially bad things, that will happen or have happened to sb/sth. Ex The fate of the three men is unknown.

• Fling : to move yourself or part of your body suddenly and with a lot of force

• Fickle: changing often and suddenly
• fal·ter :to speak in a way that shows that you are not confident
• fruit·er·er: a person who owns or manages a shop / store selling fruit

G

• gal·lant·ry : polite attention given by men to women
• ghastly : (informal) (of an experience or a situation) very bad; unpleasant, SYN : terrible
• gar·ret: a room, often a small dark unpleasant one, at the top of a house, especially in the roof
• gor·geous:  (informal) very beautiful and attractive; giving pleasure and enjoyment
  ( SYN : lovely)

H

• hom·age something that is said or done to show respect for sb
• hom·age :  (to sb/sth) (formal) something that is said or done to show respect for sb:

Ex: The kings of France paid homage to no one

• hag·gle (with sb) (over sth):  to argue with sb in order to reach an agreement, especially about the price of sth

• Huddle: to hold your arms and legs close to your body, usually because you are cold or frightened

I

• Impel: if an idea or feeling impels you to do sth, you feel as if you are forced to do it
• instinctive : based on instinct, not thought or training
• in·scrut·able : if a person or their expression is inscrutable, it is hard to know what they are thinking or feeling, because they do not show any emotion

L

• lit : past form of the verb light
• lofty:  very high and impressive
• long·ing:  longing (for sb/sth) | longing (to do sth) a strong feeling of wanting sth/sb

• Lark (BrE, informal) an activity that you think is a waste of time or that you do not take seriously:
  Ex: Perhaps this riding lark would be more fun than she’d thought.

• linen : sheets, tablecloths, pillowcases, etc.
• Line: to cover the inside of sth with a layer of another material to keep it clean, make it stronger

• lat·ter : being the second of two things, people or groups that have just been mentioned, or the last in a list:
  Ex: The latter point is the most important.

M

• marry sbƒ'off (to sb):  to find a husband or wife for sb, especially your daughter or son.

• Mend: to repair sth that has been damaged or broken so that it can be used again:
  Ex: Could you mend my bike for me?

• mortgage: a legal agreement by which a bank or similar organization lends you money to buy a house, etc.
• Mean: poor and dirty in appearance

N

• nim·ble : able to move quickly and easily, ( SYN: agile)

P

• Plain:  a large area of flat land
• Portion: a part of sth that is shared with other people.

R

• re·gret: to feel sorry about sth you have done or about sth that you have not been able to do.
• rosy : pink and pleasant in appearance, Ex: She had rosy cheeks.

• reckon sthƒ'up(especially BrE) to calculate the total amount or number of sth
• Restrain: to stop sb/sth from doing sth, especially by using physical force
• Ruinous: costing a lot of money and more than you can afford

S

• Slum: an area of a city that is very poor and where the houses are dirty and in bad condition
• Swift:  happening or done quickly and immediately
• satin : a type of cloth with a smooth shiny surface
• Slop: to move around in a container, often so that some liquid comes out over the edge
• Scrub: to clean sth by rubbing it hard, perhaps with a brush and usually with soap and water
• Shrill: (of sounds or voices) very high and loud, in an unpleasant way
• Shiver: to shake slightly because you are cold, frightened, excited, etc.
• Shab: badly dressed in clothes that have been worn a lot, SYN:  scruffy
• stam·mer : to speak with difficulty, repeating sounds or words and often stopping, before saying things correctly.

T

• tap·es·try : a picture or pattern that is made by weaving coloured wool onto heavy cloth
• 'trifle with sb/sth(formal):  to treat sb/sth without genuine respect
• trem·ble :(with sth) to shake in a way that you cannot control, especially because you are very nervous, excited, frightened

U

• Utter: to make a sound with your voice; to say sth:
• Utmost: greatest; most extreme
• us·urer: a person who lends money to people at unfairly high rates of interest

• Utter: used to emphasize how complete sth is

W

• wit: the ability to say or write things that are both clever and amusing:
  to have a quick / sharp / dry / ready wit , EX:  a woman of wit and intelligence.

• worn : damaged or thinner than normal because it is old and has been used a lot
• weep (wept, wept) (for / with sth) : to cry.
• work·man·ship:  The skill with which sb makes sth, especially when this affects the way it looks or works
• Wretched: making you feel sympathy or pity.  SYN  pitiful
• Wed: to marry: (EX: The couple plan to wed next summer)